|June 23, 2012
By Elizabeth Leafloor
"’I don’t think people have noticed that, but it’s got all the sort of terms that religions use. The greens use guilt. You can’t win people round by saying they are guilty for putting CO2 in the air"
The left-wing National Religious Partnership for the Environment has been working for years in the U.S. to make green tenets a staple of religious life in America. A bizarre eco-version of the Ark of the Covenant is making its way around the globe. And a “Green Bible” is now available at your local Christian bookstore.Source
Osiris is an Egyptian god, usually identified as the god of the afterlife, the underworld and the dead. He is classically depicted as a green-skinned man with a pharaoh’s beard, partially mummy-wrapped at the legs, wearing a distinctive crown with two large ostrich feathers at either side, and holding a symbolic crook and flail.
Through the hope of new life after death Osiris began to be associated with the cycles observed in nature, in particular vegetation and the annual flooding of the Nile, through his links with Orion and Sirius at the start of the new year. Osiris was widely worshiped as Lord of the Dead until the suppression of the Egyptian religion during the Christian era.
The Green Man motif has many variations. Found in many cultures around the world, the Green Man is often related to natural vegetative deities springing up in different cultures throughout the ages. Primarily it is interpreted as a symbol of rebirth, or "renaissance," representing the cycle of growth each spring.
The Green Man would appear to be pagan, perhaps a fertility figure or a nature spirit, similar to the woodwose (the wild man of the woods), and yet he frequently appears, carved in wood or stone, in churches, chapels, abbeys and cathedrals, where examples can be found dating through to the 20th century. The earliest example of a green man disgorging vegetation from his mouth is from St. Abre, in St. Hilaire-le-grand, c 400 AD.
To the modern observer the earlier (Romanesque and medieval) carvings often have an unnervingly eerie or numinous quality. This is sometimes said to indicate the vitality of the Green Man, who was able to survive as a symbol of pre-Christian traditions despite, and at the same time complementary to, the influence of Christianity: rather than alienate their new converts, early Christian missionaries would often adopt and adapt local gods, sometimes turning them into saints.